LITTLE SHOP OF HORRORS - Final Days!
Wed, 20 July 2005, 08:16 amWalter Plinge12 posts in thread
LITTLE SHOP OF HORRORS - Final Days!
Wed, 20 July 2005, 08:16 amLITTLE SHOP OF HORRORS is a classic story of Faustian magnitude where mild-mannered Seymour discovers an exotic little plant with a strange and unusual appetite. The plant is growing remarkably fast and so is SeymourÂ’s love for his co-worker at the flower shop, Audrey. But she has a boyfriendÂ… and the plant has a bloodthirsty secret that threatens the entire planet.
yellow glass theatre inc (LAST DAYS OF WEIMAR, ANTHEMS FOR DOOMED YOUTH) brings together some of PerthÂ’s best musical theatre performers and musicians in this fully staged production with a difference.
FEATURING
JaredFURTADO JuliaJENKINS KingsleyJUDD ChrisKABAY RhodaLOPEZ JamesMCNEILL JarradWEST RuthWILKIN SharonWISNIEWSKI & SimonHOLT
14, 15, 16, 20, 21, 22, 23 JULY 2005 @ 8PM
THE SUN ROOM COMMUNITY ARTS CENTRE
134 WHATLEY CRES, MAYLANDS (ENTER OFF 6TH AVE)
TICKETS @ BOCS 9484 1133 or http://www.bocsticketing.com.au
Based on the film by Roger Corman, Screenplay by Charles Griffith. Originally produced by the WPA Theatre (Kyle Renick, Producing Director) Originally Produced at The Orpheum Theatre New York City by the WPA Theatre, David Geffen, Cameron Mackintosh and the Shubert Organisation. By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY)
http://www.geocities.com/yellowglasstheatre
Walter PlingeWed, 20 July 2005, 08:16 am
LITTLE SHOP OF HORRORS is a classic story of Faustian magnitude where mild-mannered Seymour discovers an exotic little plant with a strange and unusual appetite. The plant is growing remarkably fast and so is SeymourÂ’s love for his co-worker at the flower shop, Audrey. But she has a boyfriendÂ… and the plant has a bloodthirsty secret that threatens the entire planet.
yellow glass theatre inc (LAST DAYS OF WEIMAR, ANTHEMS FOR DOOMED YOUTH) brings together some of PerthÂ’s best musical theatre performers and musicians in this fully staged production with a difference.
FEATURING
JaredFURTADO JuliaJENKINS KingsleyJUDD ChrisKABAY RhodaLOPEZ JamesMCNEILL JarradWEST RuthWILKIN SharonWISNIEWSKI & SimonHOLT
14, 15, 16, 20, 21, 22, 23 JULY 2005 @ 8PM
THE SUN ROOM COMMUNITY ARTS CENTRE
134 WHATLEY CRES, MAYLANDS (ENTER OFF 6TH AVE)
TICKETS @ BOCS 9484 1133 or http://www.bocsticketing.com.au
Based on the film by Roger Corman, Screenplay by Charles Griffith. Originally produced by the WPA Theatre (Kyle Renick, Producing Director) Originally Produced at The Orpheum Theatre New York City by the WPA Theatre, David Geffen, Cameron Mackintosh and the Shubert Organisation. By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY)
http://www.geocities.com/yellowglasstheatre
Walter PlingeFri, 5 Aug 2005, 10:17 am
Re: LITTLE SHOP OF HORRORS - Final Days!
Si
The story going around is that your show was not that good.
I wouldn't know of course, I did not see it, but I'm sure you'd all like to know what's on the grapevine.
Also, I did read somewhere that you were never going to charge more than $25.00 to see your productions but, correct me if I'm wrong, I am told that tickets for little shop were over $30.00. Is this true? Oh Simon I am a great fan of yours and would not want anyone to think bad of you.
I mean $30.00 .........at the Sun Room! What is happening to the world of amateur theatre?
Because you are amateurs are you not? Otherwise, what would you be doing advertising your shows on this website?
Ciao....... for now
Sue
The story going around is that your show was not that good.
I wouldn't know of course, I did not see it, but I'm sure you'd all like to know what's on the grapevine.
Also, I did read somewhere that you were never going to charge more than $25.00 to see your productions but, correct me if I'm wrong, I am told that tickets for little shop were over $30.00. Is this true? Oh Simon I am a great fan of yours and would not want anyone to think bad of you.
I mean $30.00 .........at the Sun Room! What is happening to the world of amateur theatre?
Because you are amateurs are you not? Otherwise, what would you be doing advertising your shows on this website?
Ciao....... for now
Sue
Walter PlingeFri, 5 Aug 2005, 02:27 pm
Re: LITTLE SHOP OF HORRORS - Final Days!
Dear Sue,
I find it hard to believe that you can publically denounce Little Shop of Horrors having actually not seen it yourself.
For your information, tickets were priced at $29.50 (full), $23.50 (concession) and $19 (groups). A simple visit to the BOCS website, the yellow glass website or the advertisment placed on this website would have clarified your queries.
For your future reference:
www.bocstickeing.com.au
www.geocities.com/yellowglasstheatre
www.theatre.asn.au
This is what most companies are charging now for thier productions, and usually for a pile of rubbish.
Also, the general cost of staging a decent production has risen dramatically over the last few years. It's just way of life... things get more expensive (eg. peterol @ $1.20/litre... what the!?!). I can personally guarantee that you will no longer get tickets at $10 for a quality production you will want to write home about. I think everyone has to accept this fact and continue to support one another by going to see each others shows. Also, increased ticket prices usually indicate that the producers have invested a reasonable amount of money into the production, which is a clear indication that they believe in their product. At best, all they want to do is make back their monies spent. A bonus if there is cash in surplus at the end.
When you are as popular as yellow glass theatre, selling tickets yourself can become a huge task requiring alot of time and effort that should be directed toward the production itself. The enlistment of a proffessional ticketing agency, such as BOCS, allows for this. Although it does attract a small fee to promoter (and sometimes the consumer), it is a small price to pay for a well managed, stress free ticketing system, and in reality, this fee has to be absorbed somewhere.
As for the relation between being 'amateur' and advertising on this website, maybe you should put this to the WA Opera or the PIAF committee. They advertise on here regularly, among others, and are far from amateur. This website is for all in the arts, free to advertise auditions, shows and basically whatever they want. It is simply a free, effective marketing tool for those who don't have enourmous advertising budgets.
Which brings me to my next point. Massive budgets, government funded or otherwise, is the only thing that differentiates yellow glass theatre inc. from any other professional company in this country. They are still young and are currently producing the best, most innovative productions Perth has to offer. Many local theatre companies that have been around for decades are still struggling to produce the quality that yellow glass have skillful mastered in such a short time. Perhaps you should actually come along to one of thier shows and see for yourself.
The Sunroom Theatre may not be the most state-of-the-art venue, but it is a space that is availible, not too far out of the CBD. When you do decide to go to the theatre Sue, are you honestly paying for venue aestheics? Yes, plush velvet drappery with new facilities are nice, but rare. I understand that a few of Perth's popular theatre venues are currently undergoing renovation, which will be nice for all of us, but it has resluted in a lack of venue options. The Sunroom is not on a massive budget and is also doing what it can to support theatre in Perth as best it can during this time.
The patrons of Little Shop paid for an amazingly talented cast, a flawless five piece live band and a expertly directed interpretation of this cult classic. The venue is irrelevant. Let's not forget that the general public is occasionally treated with truly awful productions coming out of the best, most expensive, venues.
I know for a fact that Little Shop of Horrors had a hugely successful run, with endless support and possitive feedback. Gloriously impressed patrons who verbalised their praise to yellow glass include Jill Perryman, Ron Banks, John-Michael Swinbank, Rachael Brayshaw and John Flood from the ABC network... to name just a few. I also know of several audience members returning several times to witness the glory that was this production. Continual praise and support from the media and the top of Perth's arts 'hierarchy' would indicate that these boys are onto something genius.
Come along and see thier production of the West Australian Premiere of RENT, by Jonathan Larson in December. Unless of course you won't bother and will insist on making public comment on what you claim to be "on the grapevine".
Grant.
P.S. If you are "such a great fan" of Simon, why on gods earth would you post any message that may be detirmental to the success of his company? Majority of the people on this earth think the world of Chris and Simon, myself included, and want for them to succeed in every way possible.
P.P.S. For those that want to get in early, I have heard that tickets for RENT will be available for purchase from Friday 12th August through BOCS Ticketing on 9484 1133 or www.bocsticketing.com.au
I find it hard to believe that you can publically denounce Little Shop of Horrors having actually not seen it yourself.
For your information, tickets were priced at $29.50 (full), $23.50 (concession) and $19 (groups). A simple visit to the BOCS website, the yellow glass website or the advertisment placed on this website would have clarified your queries.
For your future reference:
www.bocstickeing.com.au
www.geocities.com/yellowglasstheatre
www.theatre.asn.au
This is what most companies are charging now for thier productions, and usually for a pile of rubbish.
Also, the general cost of staging a decent production has risen dramatically over the last few years. It's just way of life... things get more expensive (eg. peterol @ $1.20/litre... what the!?!). I can personally guarantee that you will no longer get tickets at $10 for a quality production you will want to write home about. I think everyone has to accept this fact and continue to support one another by going to see each others shows. Also, increased ticket prices usually indicate that the producers have invested a reasonable amount of money into the production, which is a clear indication that they believe in their product. At best, all they want to do is make back their monies spent. A bonus if there is cash in surplus at the end.
When you are as popular as yellow glass theatre, selling tickets yourself can become a huge task requiring alot of time and effort that should be directed toward the production itself. The enlistment of a proffessional ticketing agency, such as BOCS, allows for this. Although it does attract a small fee to promoter (and sometimes the consumer), it is a small price to pay for a well managed, stress free ticketing system, and in reality, this fee has to be absorbed somewhere.
As for the relation between being 'amateur' and advertising on this website, maybe you should put this to the WA Opera or the PIAF committee. They advertise on here regularly, among others, and are far from amateur. This website is for all in the arts, free to advertise auditions, shows and basically whatever they want. It is simply a free, effective marketing tool for those who don't have enourmous advertising budgets.
Which brings me to my next point. Massive budgets, government funded or otherwise, is the only thing that differentiates yellow glass theatre inc. from any other professional company in this country. They are still young and are currently producing the best, most innovative productions Perth has to offer. Many local theatre companies that have been around for decades are still struggling to produce the quality that yellow glass have skillful mastered in such a short time. Perhaps you should actually come along to one of thier shows and see for yourself.
The Sunroom Theatre may not be the most state-of-the-art venue, but it is a space that is availible, not too far out of the CBD. When you do decide to go to the theatre Sue, are you honestly paying for venue aestheics? Yes, plush velvet drappery with new facilities are nice, but rare. I understand that a few of Perth's popular theatre venues are currently undergoing renovation, which will be nice for all of us, but it has resluted in a lack of venue options. The Sunroom is not on a massive budget and is also doing what it can to support theatre in Perth as best it can during this time.
The patrons of Little Shop paid for an amazingly talented cast, a flawless five piece live band and a expertly directed interpretation of this cult classic. The venue is irrelevant. Let's not forget that the general public is occasionally treated with truly awful productions coming out of the best, most expensive, venues.
I know for a fact that Little Shop of Horrors had a hugely successful run, with endless support and possitive feedback. Gloriously impressed patrons who verbalised their praise to yellow glass include Jill Perryman, Ron Banks, John-Michael Swinbank, Rachael Brayshaw and John Flood from the ABC network... to name just a few. I also know of several audience members returning several times to witness the glory that was this production. Continual praise and support from the media and the top of Perth's arts 'hierarchy' would indicate that these boys are onto something genius.
Come along and see thier production of the West Australian Premiere of RENT, by Jonathan Larson in December. Unless of course you won't bother and will insist on making public comment on what you claim to be "on the grapevine".
Grant.
P.S. If you are "such a great fan" of Simon, why on gods earth would you post any message that may be detirmental to the success of his company? Majority of the people on this earth think the world of Chris and Simon, myself included, and want for them to succeed in every way possible.
P.P.S. For those that want to get in early, I have heard that tickets for RENT will be available for purchase from Friday 12th August through BOCS Ticketing on 9484 1133 or www.bocsticketing.com.au
Walter PlingeFri, 5 Aug 2005, 02:27 pm
Re: LITTLE SHOP OF HORRORS - Final Days!
Sue,
I'm saddened by your unsubstantiated and personal disparagement of Simon and of Yellow Glass Theatre's production of Little Shop of Horrors. If you are indeed a fan, then what possessed you to post dismissive comments which are far from thoughtful criticism? Can I be so inquisitive as to ask you who your inglorious source is?
Under any other circumstances if people wish to see a production of such high calibre then they would have to go to a professional show, which would have a significantly larger marketing budget and not feel the need to advertise on this "supportive" network.
Personally I believe that for $29.50 (Full Price), $23.50 (Concession) and $19.00 (Groups) - information easily accessible from the BOCS website, the Yellow Glass Theatre website, or this website... had you cared to validate your comments - patrons were presented with an amazingly talented cast and show of such a high theatrical standard that it could have been performed on any stage. But I understand your ignorance on this topic, on account of the fact that you didn't make the effort to attend the performance.
With reference to your comments about The Sun Room; no it is far from perfect and I am the first to admit it. But I don't attend a performance based upon the knowledge of a fabulous venue. In the scheme of things, I think a stellar show reigns over velour seating. The fact that the show was such a success regardless of the venue is testament to the cast, supreme direction, the amazing five piece live band, and the ever hardworking crewÂ’s flexibility, not to mention the huge effort they made to ensure the professionalism and pure brilliance of their performance. I certainly don't need the grapevine to be confident in the audience's positive reception of Little Shop of Horrors, as I have heard it first hand. It is essential that you do not negate the importance of this.
Ignited with a vibrant and youthful energy, Yellow Glass Theatre can be confident in their ambitious staging of the West Australian Premiere of Jonathon Larson's RENT in December. Worth attending based solely on RENT's production success and Yellow Glass Theatre's impeccable performance record, the 'story going around' is that this show will be nothing short of inspiring.
Keep an eye out for RENT Sue. It will rock your jocks.
Chris and Simon are loved and supported by the vast majority of people who count. Look at the people they work with...the cream of the actual crop. Look at the people who publically advocate their work. These guys should be commended for founding a company that reveals such an honest and encouraging affirmation that there is life and a substantial future in Perth's Musical Theatre scene.
Kudos Yellow Glass Theatre...
Zoë
P.S. Sue, please consider yourself corrected.
P.P.S. Just for reference;
My grapevine tells me that RENT tickets are on sale from the 12th of August through BOCS...
(Ph): 9484 1133
www.bocsticketing.com.au
I'm saddened by your unsubstantiated and personal disparagement of Simon and of Yellow Glass Theatre's production of Little Shop of Horrors. If you are indeed a fan, then what possessed you to post dismissive comments which are far from thoughtful criticism? Can I be so inquisitive as to ask you who your inglorious source is?
Under any other circumstances if people wish to see a production of such high calibre then they would have to go to a professional show, which would have a significantly larger marketing budget and not feel the need to advertise on this "supportive" network.
Personally I believe that for $29.50 (Full Price), $23.50 (Concession) and $19.00 (Groups) - information easily accessible from the BOCS website, the Yellow Glass Theatre website, or this website... had you cared to validate your comments - patrons were presented with an amazingly talented cast and show of such a high theatrical standard that it could have been performed on any stage. But I understand your ignorance on this topic, on account of the fact that you didn't make the effort to attend the performance.
With reference to your comments about The Sun Room; no it is far from perfect and I am the first to admit it. But I don't attend a performance based upon the knowledge of a fabulous venue. In the scheme of things, I think a stellar show reigns over velour seating. The fact that the show was such a success regardless of the venue is testament to the cast, supreme direction, the amazing five piece live band, and the ever hardworking crewÂ’s flexibility, not to mention the huge effort they made to ensure the professionalism and pure brilliance of their performance. I certainly don't need the grapevine to be confident in the audience's positive reception of Little Shop of Horrors, as I have heard it first hand. It is essential that you do not negate the importance of this.
Ignited with a vibrant and youthful energy, Yellow Glass Theatre can be confident in their ambitious staging of the West Australian Premiere of Jonathon Larson's RENT in December. Worth attending based solely on RENT's production success and Yellow Glass Theatre's impeccable performance record, the 'story going around' is that this show will be nothing short of inspiring.
Keep an eye out for RENT Sue. It will rock your jocks.
Chris and Simon are loved and supported by the vast majority of people who count. Look at the people they work with...the cream of the actual crop. Look at the people who publically advocate their work. These guys should be commended for founding a company that reveals such an honest and encouraging affirmation that there is life and a substantial future in Perth's Musical Theatre scene.
Kudos Yellow Glass Theatre...
Zoë
P.S. Sue, please consider yourself corrected.
P.P.S. Just for reference;
My grapevine tells me that RENT tickets are on sale from the 12th of August through BOCS...
(Ph): 9484 1133
www.bocsticketing.com.au
Walter PlingeFri, 5 Aug 2005, 04:22 pm
Re: LITTLE SHOP OF HORRORS - Final Days!
Interesting how the name 'Susan Roverty' does not appear any where in the phone book, in any search engine... It must be terribly tiring my dear to not exist at all - how ever do you cope?
Walter PlingeFri, 5 Aug 2005, 07:04 pm
Re: LITTLE SHOP OF HORRORS - Final Days!
Sue,
I agree with both Grant and Zoe, how can you comment, criticise and publicly denounce a production that you have not seen. I am all for people having their own opinions, but to pass judgment on something you have no idea about is pathetic.
I have seen several of Chris and Simons past productions and they have been nothing but brilliant, truly professional and of an extremely high standard. I only wish that there were more companies out there like Yellow Glass.
DonÂ’t for get Yellow Glass Theatres production of Rent coming in December; it is going to be amazing.
Kelly
I agree with both Grant and Zoe, how can you comment, criticise and publicly denounce a production that you have not seen. I am all for people having their own opinions, but to pass judgment on something you have no idea about is pathetic.
I have seen several of Chris and Simons past productions and they have been nothing but brilliant, truly professional and of an extremely high standard. I only wish that there were more companies out there like Yellow Glass.
DonÂ’t for get Yellow Glass Theatres production of Rent coming in December; it is going to be amazing.
Kelly
crgwllmsSat, 6 Aug 2005, 12:29 am
Re: LITTLE HORROR
Susan Roverty wrote:
>
> The story going around is that your show was not that good.
> I wouldn't know of course, I did not see it, but I'm sure
> you'd all like to know what's on the grapevine.
I'm hearing a different story...that your comments are not worth reading. I wouldn't know, of course, ...oh wait a minute, yes I would. I read them.
> I mean $30.00 .........at the Sun Room! What is happening to
> the world of amateur theatre?
Do you mean to say that amateur theatre shouldn't be expecting us to pay full price to see a show in a dodgy theatre space? Well, have you seen any of the Perth Theatre Company productions at the Rechabites Hall? Or almost anywhere Deckchair has put on shows? That particular argument just doesn't hold any water.
> Because you are amateurs are you not? Otherwise, what would
> you be doing advertising your shows on this website?
Not a lot of thought went into this comment either, did it? Who do you suppose reads this website? A lot of people who like theatre. Who is the target audience for the show? People who like theatre. Ta-dah!
Advertising on this website is aimed at audiences. 'Amateur' or 'Professional' doesn't enter into it, unless you think there is such a thing as an amateur or professional audience..???
Game over, Rover
Craig
>
> The story going around is that your show was not that good.
> I wouldn't know of course, I did not see it, but I'm sure
> you'd all like to know what's on the grapevine.
I'm hearing a different story...that your comments are not worth reading. I wouldn't know, of course, ...oh wait a minute, yes I would. I read them.
> I mean $30.00 .........at the Sun Room! What is happening to
> the world of amateur theatre?
Do you mean to say that amateur theatre shouldn't be expecting us to pay full price to see a show in a dodgy theatre space? Well, have you seen any of the Perth Theatre Company productions at the Rechabites Hall? Or almost anywhere Deckchair has put on shows? That particular argument just doesn't hold any water.
> Because you are amateurs are you not? Otherwise, what would
> you be doing advertising your shows on this website?
Not a lot of thought went into this comment either, did it? Who do you suppose reads this website? A lot of people who like theatre. Who is the target audience for the show? People who like theatre. Ta-dah!
Advertising on this website is aimed at audiences. 'Amateur' or 'Professional' doesn't enter into it, unless you think there is such a thing as an amateur or professional audience..???
Game over, Rover
Craig
Walter PlingeMon, 8 Aug 2005, 01:51 pm
Re: BIG HORROR
I'm still waiting for Si to justify his comment last year about NEVER charging more than $25.00. None of you have answered that have you.
And I never said your show was bad, I said that I had 'heard' it was. Are you all so wonderful that you don't listen to other people's comments.
I have heard Si 'slag' off other peoples shows without seeing them and if you know him then you will know that I am not lying.
And this business about being in the phone book. You ignoramous!
SR
And I never said your show was bad, I said that I had 'heard' it was. Are you all so wonderful that you don't listen to other people's comments.
I have heard Si 'slag' off other peoples shows without seeing them and if you know him then you will know that I am not lying.
And this business about being in the phone book. You ignoramous!
SR
Walter PlingeMon, 8 Aug 2005, 03:07 pm
Re: BIG HORROR
SR,
While I can't speak for 'Si', I thought that the ticket price increase had been explained clearly... obviously not. Please refer to Grant's post.
Your hearsay comments are invalid, we only listen to constructive criticism from people who can justify their remarks.
Zo
P.S. I'm sure Simon would like to know who you are, seeing as you know him so well that you feel the need to slander his person on ita.
While I can't speak for 'Si', I thought that the ticket price increase had been explained clearly... obviously not. Please refer to Grant's post.
Your hearsay comments are invalid, we only listen to constructive criticism from people who can justify their remarks.
Zo
P.S. I'm sure Simon would like to know who you are, seeing as you know him so well that you feel the need to slander his person on ita.
Walter PlingeTue, 9 Aug 2005, 08:45 am
Re: BIG HORROR
Well, isn't this the case of pots kettles and black things. I am not huge on the theatre scene but I do enjoy watching theatre and staying up to date on this site.
I try to stay out of debates on the forum but this one has my hair on end.
Zo, the tradition of slagging someone of that you dont know on this site is a long and varied one. This tradition was perpetuated by Simon when he jumped on the band wagon about a Blues Brothers Show ( I never actually saw this production but by all reports it was good), this was a many pronged acttack by simon including the attack on the cost of tickets for amateur theatre and saying he would never do over $25, he also made som other claims about profits and paying people etc. But that is not important now...
The important thing to remember is that everyones @!#$ stinks it is just a matter of how much and you should make sure your clean of it before you start throwing it at others.
On another note saw the show and thought the singing was great.
Could have been better in other places but overall a good nights entertainment.
Thanks
I try to stay out of debates on the forum but this one has my hair on end.
Zo, the tradition of slagging someone of that you dont know on this site is a long and varied one. This tradition was perpetuated by Simon when he jumped on the band wagon about a Blues Brothers Show ( I never actually saw this production but by all reports it was good), this was a many pronged acttack by simon including the attack on the cost of tickets for amateur theatre and saying he would never do over $25, he also made som other claims about profits and paying people etc. But that is not important now...
The important thing to remember is that everyones @!#$ stinks it is just a matter of how much and you should make sure your clean of it before you start throwing it at others.
On another note saw the show and thought the singing was great.
Could have been better in other places but overall a good nights entertainment.
Thanks
Walter PlingeTue, 9 Aug 2005, 10:05 pm
Re: BIG HORROR
Bravo Peter!
I totally agree with you - was just waiting to hear a reply like that. Funny how I have read posts over the years regarding different shows and hearing Simon put in "his two cents" ..... but when it comes to somebody referring to one of his shows in somewhat of the same manner- they're in the wrong!
Nothing against Simon personally, he's a great guy to work with and he puts on wonderful shows with great casts but why shouldn't other people have their opinions too? And I don't really see a whole lot wrong with the post written by Sue R or whatever you want to call her. If you do a search of different posts on this site, you'll see that Simon "stirrrs" the pot himself on a lot of occasions.
And why do all these people have to jump on the defensive side - no one's attacking Simon and I'm sure he could stand up for himself if they were.
Cheers
Les Halt
Walter PlingeWed, 10 Aug 2005, 09:21 am
HORROR STORIES
BAHAHA!! Interesting turns of phrase there Peter Blake. I guess if people want to talk excrement that's what they can expect!
I would have liked to attend but the cost was prohibitive. There's a lot of competition for the theatre dollar and not many dollars to go 'round. It's important to remain competitive within your market even if you believe your product is superior.
I would have liked to attend but the cost was prohibitive. There's a lot of competition for the theatre dollar and not many dollars to go 'round. It's important to remain competitive within your market even if you believe your product is superior.