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Oh dear...

Tue, 11 May 2010, 11:13 am
Bass Guy14 posts in thread
A salient lesson in "Always leave them wanting more", perchance? http://www.abc.net.au/news/stories/2010/05/11/2895795.htm?section=entertainment El

Thread (14 posts)

Bass GuyTue, 11 May 2010, 11:13 am
A salient lesson in "Always leave them wanting more", perchance? http://www.abc.net.au/news/stories/2010/05/11/2895795.htm?section=entertainment El
Lisa SkrypTue, 11 May 2010, 12:45 pm

oh, dear, indeed!

"The secret to a long life is knowin' when it's time to go" Lyrics: Michelle Shocked, from The Campfire Tapes
jmuzzTue, 11 May 2010, 03:51 pm

My dear Bass Guy....

....consider the lessons from this carefully before mounting the Doctors of Madness comeback ;)
Bass GuyTue, 11 May 2010, 04:06 pm

Very true, jmuzz.

All too true.... mind you, I must confess that I have little sympathy. Firstly, why do the gig if you know you can't pull it off- thus tarnishing a pretty impeccable history? Secondly, bearing in mind that the artist you've come to see had a pretty horrific Broadway comeback in the 90s (people would applaud when she came onstge simply out of gratitude for her being alive, rather than any musical merit), surely your hopes wouldn't be THAT high?
LabrugTue, 11 May 2010, 04:22 pm

Warnings

She did warn everyone, and as I recall, she was resistant initially wasn't she?

Absit invidia (and DFT :nono:)

Jeff Watkins
SN Profile
Photographer
Community Spirit

Bass GuyTue, 11 May 2010, 06:59 pm

However...

... she still went ahead and did the gig, didn't she?
MusicalMumTue, 11 May 2010, 07:18 pm

I saw a clip of her reprising her....

...Victor/Victoria role on stage that was from 1996 and vocally she should never have taken that on IMHO. So I can't imagine what another 14 years would have done. She must have been feeling the pinch and/or in need of a major self esteem boost to have agreed to such a venture. Ironically, it has backfired in the worst possible way.
JoeMcWed, 12 May 2010, 09:01 am

This reminds of the time

This reminds of the time Bill Connely did his show in Queensland & all the punters stormed out the theatre demanding thier money back, because he was nothing like Andy Stewart?

Though I often wonder if Billy was the wee bar'n, when we were playing the Alahambra Theatre, that used to be in Waterllo Street in Glasgow. Who swapped his tricyle for a ticket to watch the show from the Gods. Of course he asked for his byke back after the show & it was given back. This was quite normal for punters to use goods to buy theatre tickets at the time, I think it was generaly about a penny ha'p'ny & two Jam jars to get into the local Picture house.

Greg RossWed, 12 May 2010, 11:14 am

Billy as Andy

Delicious Joe

The mind boggles ... Billy channelling Andy???  ... "So, there I was, letting the wind blow high and the f@#$% wind blow low ... so low, me  f@%#$ balls were frozen, Aye, I couldna tell, where me f@%#$# trousers were! Wind? Too much f$#% Haggis last night! Anyhow, I said, Pamela, who wrote this f#$%^%#$^ shit ..." 

I love Billy Connelly, hope the mad bastard lives forever!

A bit of Andy Stewart triva, (that some may well know), Perth's Max Kay came out to Oz as Andy Stewart's manager, loved the joint and stayed, eventually setting up his stage shows at the various Civic Theatres and his main writer was Alice Warwick, who most recently co-directed BURNT PIANO.

Greg Ross

Minister for Good Times

jmuzzWed, 12 May 2010, 11:18 am

Perhaps this is the new acceptable standard...

...witness Whitney Houston's recent "comeback" and the furore over the Britney Spears mime tour last year. It seems the artists are convinced any old mediocre rubbish will do - that the audience is more interested in the experience of seeing them rather than the merits of the show itself. I have in the last 12 months seen two of my all-time fave bands in concert - The Pixies (indie darlings from the eighties and early nineties) and The Buzzcocks (pop-punk band from the seventies). Both delivered in my estimation. The Buzzcocks had everyone jumping and despite the fact they were all clearly heading toward pension status gave an energy-filled performance at a volume that made my ears bleed. The Pixies were perhaps a little more "professional" in that they didn't engage with the crowd as much but the performance was there and they appeared to be enjoying the experience as were we. Vote with your feet I guess - if they're rubbish, walk out, slam the show, and write to the promoters telling them how ordinary you thought it was. There is no excuse for mediocrity where money is paid.
JoeMcWed, 12 May 2010, 12:12 pm

Ach t's a braw, bricht,

Ach t's a braw, bricht, moonlicht nicht the nicht, mist'r richt!{Wye aye marra nee bad for a wee Geordie}

I rember meeting Andy & Max when we did a show eons ago now. At that theatre hoose 'n that toon, where 'the tree n'ver grew & the bird n'ver flew . The fish n'ver swam & the bell n'ver rang'.

Bass GuyWed, 12 May 2010, 12:24 pm

The "I was there when" factor.

I'm with you, jmuzz- inasmuch as I'm as fussy as hell about what I'll shell out hard-earned to go see. For me, my last "big gig" was Iron Maiden, and yes they gave a show worth every cent that I paid. But there's always the chance people will go to these hyped events- just on the off-chance they'll see a trainwreck. That's the only reason I could imagine wanting to sit through a concert by Whitney Houston...
David HardieThu, 13 May 2010, 07:48 am

The other lessons.

Lesson 2: Don't ask your publicist or promoter if it sounds OK. Lesson 3: Don't co-write a musical with your daughter and expect that everyone will love you for it.
Robert J WhyteThu, 13 May 2010, 09:39 pm

Poor ole Jules, she should

Poor ole Jules, she should have quit when she had to have her vocal operation...truly sad.
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