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What is Susan's Secret?

Sun, 3 June 2012, 05:12 pm
Gordon the Optom4 posts in thread

‘What is Susan’s Secret’ is one of the poorer comedies by the normally excellent, Michael and Susan Parker. The play is showing at the Rockingham Castle Theatre, 8 Attwood, Rockingham nightly until Saturday 16th June. Evening performances are at 7.30 pm, with one matinee on Sunday 10th at 2.00 pm.

 

      The curtains open to show a very good set (Peter Scarrott, Terry Winter, Rob Walker and David Heckingbottom) it is of a slightly run down, USA country hotel called ‘The Cider Mill Inn’.

     A man is sleeping in an armchair; he is Michael (Andy Walker) the middle-aged, co-owner of the inn. His wife, Susan (Larraine Craig) tries to wake him up, but Michael is in deep sleep, imagining that he is starring in an old movie. The movie he dreams changes from day to day.

     Larry (Lee Walker) and his wife, Jean (Tarryn Cook) arrive for the hotel’s generous weekend special, however, on registering the couple find that the offer is not all that it seems. They are closely followed by young newlyweds, Bobby (Luke Walker) and his beautiful wife, Jenny (Abby Osborn). Bobby adores his bride, but after having a horrendous demand made upon her by her husband on their wedding night, Jenny no longer wishes to share his bed.

       A week later, a very smart gentleman, Bill Herman (Peter Scarrott) arrives, and is a hotel reviewer; the hosts, of course, are unaware. The only other guest is the sexy Miss Munroe (Sue Murray) that is until the world’s most boring carpenter, Jeffrey (Rob Walker) and his extremely tolerant wife, Penny (Emma Muller) arrive. Penny has her very own way of ignoring her husband’s rants.

       When things cannot possibly get worse, Bertha, Michael’s sister (Sharyn McCaskey) turns up for the weekend.

 

If you want people to come and see your show, please go back to lighting up the outside of the building. It is a good advert to locals, who wouldn’t otherwise know that you are even there. There was no box office, (there is a very good one, but it was closed) … ‘but perhaps you can get tickets at the bar’. The bar staff had the audience plan, however they didn’t know the ticket prices. On paying my money, ‘sorry we haven’t any tickets, but you know which are your seats!’

You have a great venue, make the most of it. Get the place warm, and don’t rely on an audience member getting up after about ten minutes of the play, to tell you the heating isn’t on. Don’t ask the audience at the interval if they are warm enough now and can you put the heating back off – it only costs about half the price of a ticket to heat the place for the two hours.

 

Now the play. For years I have held Rockingham up as the prime example of how to put on a farce or comedy, sadly you have now hit the depths. What happened? The pace was well off; probably about 20 minutes could have been cut. I felt that the personalities of the play’s characters had been misunderstood and that the cast, who were trying hard, were playing slightly slapstick when a melodramatic approach for some could have been better. The physical action, normally hilarious, was sluggish and uninventive.

Sadly the old stalwarts were possibly the least effective actors. Some of the newcomers were really getting into the comedy but needed more guidance from the director, David Heckingbottom. A small hint to the new actors, try and go down an octave when delivering your lines, nerves often take you higher than you realise. I do, however, look forward to your next show.

There were quite a few laughs, but many missed opportunities. Sorry, I cannot recommend this show.

oh dear!

Fri, 8 June 2012, 10:48 am
Walter Plinge
Thanks for your comments Gordon...we always welcome constructive criticism both positive and negative but there are just a couple of points I feel its only fair to make. Firstly, we do light up our building in accordance with the restraints put on us by the council, however on the night you came we did have a problem with the outside light at the side of the building. It was a temporary fault and was rectified the next day. The front and back of the building were both lit as usual. We do not have a box office as such at RTC. Three is a hole in the wall that many years ago was used as one but has not ever been used during my time at RTC (6 Years)but I do agree the signage needs to be removed and we shall act on this now that you have hilighted it. Like many theatres we now use the online service of Trybooking.com to sell our tickets as well as Rockingham Visitors Centre. We do of course sell tickets 'on the door' if seats are available but it is not our bar staff that do this its the 'redcoat' ushers in the foyer. Im sorry that your experience was that the bar staff didnt know how much the tickets were but they are volunteer bar staff there to sell drinks in the same way our ushers wouldnt know the price of a beer or glass of wine at the bar. I do believe though that the bar staff do know who to pass you onto in order to purchase a ticket and im also sorry that we are not able to print a paper ticket at the theatre for you to take in with you. We do not have an internet facility at the theatre to do this but we do have our trusty redcoats to show you to your seat once you have paid for your admission. re the heating; what actually happened was a member of the audience complained they were a little cold so the heating was turned up (it was already on)then another audience member complained they were too hot so it was turned down. the comment made by the usher at interval to ask audience members if they were warm enough was not in order to seek to turn off the heating to save money but to ensure that they were comfortable. RTC went to great expense last year and were very excited to install reverse cycle air-con in our auditorium for the comfort of our patrons and we are not looking to save a few $$ by turning it off or to seek not to use it so I think that was a very unfair comment. As for the play, obviously your comments are based on what you perceive and are your opinion to which you are justly entitled and as we are happy to rejoice when you post positive comments we also take on board the negative ones. However, this comedy was definitely not slapstick unless you are referring to the character Michael who wanders off into 'his own little world' from time to time. I'm not sure how the cast (yes of which I am one)could have cut 20 mins from the play or we would have finished at 9 pm and that included a 20 min interval! Generally I agree that this play turned out not to be as funny as we had hoped and it is not as funny as some of Michael Parker's other plays and as i'm sure you read the program you will have seen that the female lead (me!) took over a huge wordy role at just under 3 weeks out and actually managed one full rehearsal with a full cast (final dress)because of many problems with cast jiggling and roles being doubled up. Now this, I agree, is 'par for the course' in community thetare and we all face similar difficulties all the time and should definitely not hinder us giving our best, which it didnt, as that is what the audience come to see. Im sure we are not the only ones heard to utter "why do we bother?" when things go wrong BUT we bother because we love what we do and we love bringing joy to our audiences and our members and on the whole we do. Your comments are appreciated and noted and I hope we see you along again to enjoy a night out at RTC. Im sorry that you felt so strongly as to not recommend this show. We do pride ourselves on staging excellent comedies at RTC and our barr is very high, if this one fell a little short of our usual standard then that is sad but to say we have "hit the depths" is a bit strong! I believe it is still worthy of an audience and not a recommendation not to see it. Cheers...Larraine Craig

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