The Maj Monologues - 2012

‘The Maj Monologues Competition - The 2012 Finals’ is again presented by the Brainbox Project, with a terrific set of six entries. The monologues are being performed DownStairs at the Maj, His Majesty’s Theatre, 825 Hay Street in Perth, until Saturday 5^th May. The 2-hour shows start at 7.30 pm.

Topic for this year is ‘Modern Gods’.

 ‘Night School’ scripted by freelance writer Phil Jeng Kane. Phil has written for magazines, TV and film. He lectures in writing computer programmes and screenwriting.

         We are welcomed to the start of a set of night classes in history. Before the first lecture commences, the lecturer feels the need to clarify his attitude to various ‘Gods’ of the day, mobile phones and smoking being a couple of the many that bother him.

A very funny play that will make every teacher cringe as they see their colleges and students vividly come to life. There is a nice little touch of pathos running beneath the surface. A wonderful delivery by Peter Holland.

‘Gods on Tape’ written by a Curtin University student of theatre and English, Michael Collins.

          A young man is desperately trying to compose a tape to send to his lost love, apologising and seeking a second chance. As he talks into the microphone, he recalls his late father’s advice and outlook on the world.

This story shows the turmoil of the world and the foolishness of ‘the Gods’ in charge. James Helm changed smoothly from the sensitive young man, to the bitter father in this very different tale. Plenty of food for thought and well presented.

‘God, Francis of Assisi and Plaster of Paris’ written by Alison Craven who worked for the Commission for Racial Equality for more than a decade shows her other remarkable talent.

          After the death of her veterinary surgeon parents, a young woman is left to look after the practice. She tells of how she was brought up surrounded by sick animals.

A very black comedy. Extremely hilarious, with a skilful and very droll delivery by Julia Moody.
 

Interval

‘Carmen Giuliani’ written by award winning playwright Lis Hofmann, who has now combined with Canberra-born, multitalented actor, Leanne Curran.

          A young ethnic girl is working in an office where extramarital affairs seem quite common. Unfortunately she hasn’t been getting her share – in fact she hasn’t been getting any … ever.

   Perhaps tonight is her lucky night. Has she prepared fully for this special occasion?
A situation comedy, again with sad undertones. Delightful delivery from Stephanie Power, which tugged a few heart strings. A clever blend of humour and sensitivity.

A situation comedy, again with sad undertones. Delightful delivery from Stephanie Power, which tugged a few heart strings. A clever blend of humour and sensitivity.

‘Wonk’ was written by Chelsea Spagnolo who a decade ago, whilst still s student at Albany Senior High School, won a WA State Education award for her writing.

           On holiday with his brother Ben (a dag who has ‘totally missed out on life’), and his family, our hero – or self-created ‘God’ – tells of his nightclubbing and the events that took place later in the evening.

An excellent piece of writing, filled with contrasts, excitement and interest. Marko Jovanovic’s performance was wonderful as he captured the mind of our Adonis!

‘Salt water’ was written by John Freeman. 

        An oldish man is coming to terms with his loss. The loss of his partner, the loss of his memory and the undignified situation that he finds himself in as a result.

This monologue was beautifully conceived, although some pedants may argue it is actually a soliloquy. It is a truly sad tale, brilliantly written. The confusion of the man’s mind is captured perfectly and brought to life by a tremendous actor – Ian Toyne. A touching tale.

All of the monologues were directed with feeling, and in a variety of genres by Michael McCall. This year the quality of all of the finalists was outstanding, and I suspect that the fight for first place will be a close battle.

The judges this year are Marcus Canning, Reg Cribb and Vivienne Glance. Will one of the better written monologues win? Or will the audience choice go to the most appealing storyline? All prizes will be awarded following the final performance on Saturday 5^th May.

A great deal of thought had been put into the lighting design by Tony Gordon, and it was slickly operated by Jacinta Radbourne.