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Winners from Dramafest 2010

Tue, 28 Sept 2010, 11:31 am
kerri9 posts in thread
AWARDS FROM DRAMAFEST 2010 Best Overall production: Goldfields Repertory “Derek Drives a Datsun” Best Director: Simon James “When Nixon Met Elvis” Arena Arts & Entertainment New Writing: John Grimshaw “Checkout” Melville Theatre Rob de Vaak Most Innovative Production “Striptease” Upstart Theatre Co. Encouragement: Stage Left Theatre Troupe Adjudicators Award: Zoe Hollyoak “Hush Little Celia” last minute replacement and fine performance as Celia Stirling Players Best Actor: Nathan Catalano in “Hooker from Hell” KADS Best Actress: Leonie Lever in “Hooker from Hell” KADS Best Support Actor: Zach Hawke in “The Shock of recognition” Stage Left Best Support Actress: Lisa Skrypichayko in “Past Loves” Old Mill Best Costume Award: Stage Left “ Work – You’re doing it wrong”. People’s choice award: “Hooker from Hell” KADS Certificates Martin Watkins masterly property master Irish Players Adrian O’Neill for Mr Wedgecock in Checkout Melville Set Design and Decor for Stage Left’s Work-You’re doing it wrong The cast of When Nixon Meets Elvis for absolute Precision Doreen Hill for the splendid keening finale in Riders to the Sea - Irish Players SPY “Black Skirt” for fine ensemble performance LX design/execution for The Game - Melville

Thoughts of a grateful award recipient

Tue, 28 Sept 2010, 09:17 pm
1:I'd like to offer my sincere thanks to those unsung heroes, the Dramafest organisers and volunteers, who give, and gave so much of their time (not to mention effort) in making this event possible for we, the theatre people's. Thanks guys. 2: My thanks and appreciation to Val Riches at Melville for seeing potential in the script. 3: To Felicity and the cast of 'Checkout' for realising that potential.I say with sincerity, that you nailed the script to a tee. 4: To my long time friend Adrian O'Neill who in only his second production, was awarded a certificate of merit for his efforts as Mr Wedgecock. BRILLIANT! I'm delighted for you. PS: It will be at least a week or more before the smile leaves his face. 5: Having been fortunate enough to be awarded best new writer for the second year running, suggest the ITA may need to rename this award (how about an addiitonal award - 'best script by an aging hippy, who once upon a time had long hair?' 6: I feel most humble to win this award knowing that there are some wonderful writers amongst our OWN theatre community. For an old bugger like me it doesn't get any better. 7: To close, I make a request to our local theatre community. Please check what we have in our own backyard before looking further afield, and if possible find room to give our YOUNG writers an opportunity as part of your season. You may not be rewarded with full houses, but you will defintely gain some satisfaction in knowing that you've provided an opportunity to a young writer, who one day may become a household name in this country, if not further afield. I'd pick that over doing 'The Importance Of Being Ernest' any day (sorry, I wasn't going to mention Ernest, but my fingers got the better of me). cheers Johnny Grim

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