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'Indy' raises sun on dark Cannes fest Among frazzled festgoers you can feel the need for fun

Serge Sharrinovsky

Monday 19 May 2008

'Indy' raises sun on dark Cannes fest Among frazzled festgoers you can feel the need for fun By Elizabeth Guider May 18, 2008, 02:39 PM "Indiana Jones" star power lights up the Palais on Sunday. (Getty Images photo) CANNES -- The myriad makeshift signs people waved outside the Palais Sunday said it all: "Me, Indi Jones tickets, please" as hundreds of fans and moviegoers started amassing in hopes of securing passage to the world premiere of the fourth installment of the Steven Spielberg franchise. And if not to the movie, then at least a glimpse of Spielberg, George Lucas, Harrison Ford, Shia LaBeouf and practically the entire (human) cast as they made their way to the chock-a-block press conference after the screening. The film played to a packed house made up mostly of press at 1 p.m. There was the energy of anticipation in the room beforehand, and the applause at the end was polite, but then that's all the emotion journos tend to display no matter the movie. Early word from exiting journalists was a general thumbs-up, though with a few strongly expressed cavils and qualifiers: "too long," "too many stunts," "too wooden," not enough time for any of the characters to catch their breath or interact. But such objections, however valid, will probably hardly matter in box office terms, judging from the general public enthusiasm that seemed to transform the mood of the Croisette. Even among frazzled sleep-deprived festgoers, one could feel the shift: Enough of politically challenging, socially relevant Competition pics -- a la "Blindness," "Gomorra," " Linha de Passe" -- let's have some brightly lit fun to match the returning blue skies over the Mediterranean. Spielberg, who hasn't been to the fest since he brought "ET" in 1982, put it best. He was the last among the creators to be convinced that Indy deserved to be brought back, and it took 17 years to free himself up enough from DreamWorks and his self-described "dark period" movies to tackle it. "We did it as a celebration of the movies," he told the throngs of journos at the post-screening presser. "We wanted to reacquaint people with the pure joy of seeing something with others in a darkened room." Interestingly, Spielberg also said that, yes, another Indiana Jones sequel was a possibility: "Only if you (the public) want it. We'll have our ear to the ground," meaning, presumably, attuned to the global wickets. With a budget of $185 million and a marketing spend of some $150 million worldwide, the enthusiasm on the Croisette will have to translate onto main streets around the globe if the producers expect to make their nut. If the movie grosses less than $500 million worldwide, it will likely be termed a disappointment. "People do consistently ask me if there'll be another 'ET' or 'Indiana Jones' ... No one ever asks about bringing back 'Artificial Intelligence,' '1941' or 'Hook,' " he mused self-deprecatingly.

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